Catalog

Conductor Andrew Koehler comments that Steven Holochwost’s compositional language is almost always informed through conversations with the past and though he does not shy away from sonorous climax, his music tends toward a mode of expression that favors the quiet and reflective. Holochwost studied composition at Yale and Rutgers, earning his doctorate under the tutelage of Charles Wuorinen. Holochwost has received grants, awards, and fellowships from Rutgers, Princeton, the National Association of Composers, the Fisher Foundation, and ASCAP. He also has a PhD in developmental psychology. This is his second recording for Albany Records. Currently the music director of the Kalamazoo Philharmonia, Andrew Koehler has been honored for his innovative and thoughtful programming. He is active as a guest conductor in the U.S. and throughout the world.

Harmony in Black is part of a five-year initiative by the Wisconsin Chamber Orchestra that aims to elevate the voices of an array of living, diverse composers throughout the United States. For this first recording composers Patrice Rushen and William Banfield are featured. Their three compositions do not quote spiritual melodies directly but do embody the spirit of those songs by drawing either on direct quotation of speeches or writings. Multi-Grammy nominated artist Patrice Rushen is admired by many for her groundbreaking achievements including serving as Musical Director for the 46th-48th Annual Grammy Awards. Dr. William Banfield has produced a body of work in the past 25 years that includes music, books, teaching and creative work that contributes to contemporary arts leadership. Banfield is an award-winning composer who is now serving as Composer-in-Residence of the Wisconsin Chamber Orchestra.

Christopher Rouse was one of America’s most prominent composers. Winner of the 1993 Pulitzer Prize in Music, he created a body of work perhaps unequalled in its emotional intensity. Three of his concertos — for trumpet, oboe, and bassoon — are included in this recording. Eric Berlin is principal trumpet of the Albany Symphony and assistant principal trumpet of the Colorado Music Festival Orchestra. He has commissioned, premiered, and recorded numerous new works for trumpet. Katherine Needleman is principal oboist of the Baltimore Symphony Orchestra and has appeared as a soloist with orchestras around the U.S. Peter Kolkay is the only bassoonist to receive an Avery Fisher Career Grant. In demand as a chamber musician, recitalist, and soloist with orchestras, he is on the faculty at Vanderbilt. The Albany Symphony, led by conductor David Alan Miller, has received four Grammy nominations and is both a 2014 and 2021 Grammy award winner.

Trumpet virtuoso Paul Neebe is the rare kind of musician destined to be a soloist: commanding a characteristic, recognizable sound full of determination and expression, yet never sacrificing precision or clarity. Who better, then, to champion UNDISCOVERED TRUMPET CONCERTOS by four contemporary composers?

Despite what the recency of these works may suggest, the language of these concertos is largely tonal and consonant. Neebe’s solo trumpet is symphonically complemented by the Budafok Dohnányi Orchestra, an acclaimed ensemble from musically rich, musically conservative Hungary. Considering the tonal-yet-contemporary material, one could not imagine a more perfect symbiosis. Neebe and the Hungarians form a veritable dream team, and the result is nothing short of a revelation.

The Yakima Symphony Orchestra commemorates 50 years in music with MENDELSSOHN 2 & MENDELSSOHN 2.1, a new recording of Mendelssohn’s monumental choral Symphony No. 2.
It’s a challenge to capture this particular symphony’s dual nature — half transcendent exploration of faith, half a testament to the Romantic spirit. Accomplished conductor Lawrence Golan is more than up to the task, and so is his YSO: grandeur billows, tenderness whispers, and tonal richness reigns supreme. A newly commissioned take on Mendelssohn by Kenji Bunch, The Night is Departing, rounds off the program. Celebrations, it seems, are in order.