Remembranza
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Rosa Antonelli, a leading exponent of Spanish and Latin American music, offers her second recording on Albany Records.

Rosa Antonelli evokes the memories of Latin sounds for her second recording on Albany Records. Born in Argentina, Ms. Antonelli enjoys an active and varied performance career. She has been hailed as a leading exponent of Spanish and Latin American music, which she has performed to audiences around the world in extensive tours that have taken her to Europe, Africa, Asia, Latin America and North America. Trained at the National Conservatory in Buenos Aires, she was also a participant in the International University Music Program in Santiago de Compostela where she received the Rosa Sabater Award for her interpretation of Spanish music. Her first recording on Albany Records, Esperanza-Sounds of Hope, received critical praise as did her New York debut at Stern Auditorium/Perelman Stage at Carnegie Hall, where Harris Goldsmith wrote that her “…inward poetry forced me to rehear, and revalue Piazzolla’s Tangos, which she infused with an eloquence and inner communication…”
Contents:
Astor Piazzolla, composer
La Ultima Grela
Rosa Antonelli, piano

Astor Piazzolla, composer
El Mundo De Los Dos
Rosa Antonelli, piano

Astor Piazzolla, composer
Adios Nonino
Rosa Antonelli, piano

Astor Piazzolla, composer
Imperial
Rosa Antonelli, piano

Heitor Villa-Lobos, composer
Poema Singelo
Rosa Antonelli, piano

Heitor Villa-Lobos, composer
Valsa Da Dor
Rosa Antonelli, piano

Ernesto Nazareth, composer
Odeón-Tango Brasilero
Rosa Antonelli, piano

Enrique Granados, composer
Quejas ó La Maja y El Ruisenor from Goyescas
Rosa Antonelli, piano

Enrique Granados, composer
Allegro de Concierto in C, Op. 46
Rosa Antonelli, piano

Isaac Albéniz, composer
Granada from Suite Española, Op. 47
Rosa Antonelli, piano

Isaac Albéniz, composer
Cadiz from Suite Española, Op. 47
Rosa Antonelli, piano

Isaac Albéniz, composer
L'Automne Waltz
Rosa Antonelli, piano
Review:
“Antonelli is an established artist whose technique is more than capable of encompassing the dynamic range of Piazzolla’s monumental tango…and the reflectiveness of Quejas ó La Maja y El Ruiseñor by Gra-nados. …This issue is recommended for the interest of the unusual program and for Antonelli’s idiomatic performances.” (Fanfare)
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