Emotional Vicissitudes

Yaroslav Senyshyn (piano)

Catalog #: TROY1445
Release Date: October 1, 2013
Format: Digital
Piano

Described as a pianist of "enormous power" by the Washington Post, Canadian Yaroslav Senyshyn is an exponent of the grand tradition of piano playing. In addition to his concert activities, he is a professor of aesthetic and moral philosophy at Simon Fraser University and publishes extensively on these topics. For this recording, Senyshyn couples well-known works by Rachmaninoff with two pieces by Atsushi Yoshinaka, who is a professor at Gakuin University and spent a year as a visiting professor at Simon Fraser University, where he and Senyshyn collaborated. His two works were inspired by a trip taken to the Strait of Georgia in British Columbia and are reminiscent of Rachmaninoff's homesickness and longing for his ancestral home.

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Track Listing

Title Composer Performer
Prelude in G Major, Op. 32, No. 5 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Prelude in B Minor, Op. 32, No. 10 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Prelude in G Sharp Minor, Op. 32, No. 12 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Prelude in G Minor, Op. 23, No. 5 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Prelude in D Major, Op. 23, No. 4 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Prelude in B Flat Major, Op. 23, No. 2 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Étude-tableau in C Major, Op. 33, No. 2 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Étude-tableau in E Flat Major, Op. 33, No. 7 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Étude-tableau in G Minor, Op. 33, No. 8 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Étude-tableau in E Flat Minor, Op. 39, No. 5 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Étude-tableau in A Minor, Op. 39, No. 2 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Étude-tableau in C Sharp Minor, Op. 33, No. 9 Sergei Rachmaninoff Yaroslav Senyshyn, piano
Meisoh (Meditation) Arsushi Yoshinaka Yaroslav Senyshyn, piano
Itami (Pain) Arsushi Yoshinaka Yaroslav Senyshyn, piano

Reviews

  • "one has only to listen to the thunderous bass at the beginning of the B Flat-Major Prelude, op. 23/2, and the crystalline clarity of the tolling bell-like figuration at the be-ginning of the G Sharp-Minor Prelude, op. 32/12, to appreciate [Yaroslav] Senyshyn's extraordinary dynamic range and delicate finger-work."

    – Fanfare

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