Charles Ives: A Portrait in Song

Stacy Rodgers (piano), Bradley Robinson (baritone)

Catalog #: TROY1711
Release Date: February 1, 2018
Format: Digital
Vocal

Baritone Bradley Robinson explains what moved him to pursue this recording: "Many know of Ives the musical experimenter, life insurance revolutionist and, at times, the short-tempered eccentric. But there was so much more to the man: Ives the Devoted Son, Loving Husband, Adoring Father, Charity Volunteer, Philosopher, Social Activist, Man of Great Spiritual Convictions, Musical Jokester, Publicity-shunning Philanthropist; and the list goes on. " Robinson invites us to get to know Ives better by seeing how deeply the manner in which he expressed himself musically was influenced by factors which included events he personally experienced, his attitudes towards everyday things, philosophic and/or religious beliefs, and wonderful sense of humor. Bradley Robinson has performed opera, oratorio, and musical theatre throughout the United States to critical acclaim and is on the faculty at the University of Mississippi. His collaborator, pianist Stacy Rodgers, also teaches at the University of Mississippi.

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Track Listing

Title Composer Performer
Du bist wie eine Blume Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
Ich grolle nicht Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
Minnelied Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
Feldeinsamkeit Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
In the Alley Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
The See'r Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
Romanzo di Central Park Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
The Side Show Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
The Light That is Felt Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
A Christmas Carol Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
The White Gulls Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
The Camp Meeting Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
The Cage Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
The Indians Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
Thoreau Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
from "Paracelsus" Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
The Children's Hour Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
To Edith Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
Two Little Flowers Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
Berceuse Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
In Flanders Fields Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
Tom Sails Away Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
He is There! Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
The Things our Fathers Loved Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
Immortality Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
Remembrance Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
The Housatonic at Stockbridge Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano
General William Booth Enters into Heaven Charles Ives Bradley Robinson, baritone; Stacy Rodgers, piano

Reviews

  • "The 28 songs recorded here were composed between 1894 and 1921 and recorded in two sessions over a 14-year span (2002 and 2016). Ives's songs are so varied and such a huge corpus that it can be a real challenge to program a whole disc; quite rightly, this disc is entitled Charles Ives: A Portrait in Song. Bradley Robinson and Stacy Rodgers opt to provide sets of three to four songs grouped under headings: LIeder; Humor; Religion; Philosphy, Social Commitment; Children; War; and Life Events, with the song General William Booth Enters into Heaven as an addendum/encore. Robinson is ardent in the latter song [Ich grolle nicht], leaving the listener in no doubt as to his anger at the climax before the sweet repose of the final cadence. Stacy Rodgers establishes himself in these songs as an accompanist par excellence In these [Religoius] songs, Bradley Robinson is supremely expressive The booklet notes, by Bradley Robinson himself, are some of the best I have come across, fantastically thorough in their dates and acknowledgement of parent works."

    – Fanfare

*Album cover provided for Editorial use only. ©Albany Records. The Albany Imprint is a registered trademark of PARMA Recordings LLC. The views and opinions expressed in this media are those of the artist and do not necessarily represent or reflect the views and opinions held by PARMA Recordings LLC and its label imprints, subsidiaries, and affiliates.