Precipice

Nathaniel Bartlett (marimba), Nathaniel Bartlett (computer)

Catalog #: TROY0855
Release Date: August 1, 2006
Format: Digital
Instrumental

Nathaniel Bartlett was born in 1978 in Madison, Wisconsin, and studied at the Eastman School and the Royal Academy of Music in London as well as with renowned marimbist Leigh Howard Stevens. As an integral part of being dedicated to an instrument of our time, he is also dedicated to the music of our time - constantly seeking out composers with whom to collaborate in the creation of new repertoire for the instrument. In particular, Nathaniel Bartlett is interested in the integration of computers and other electronics into live performances, creating a high-definition, multi-dimensional sound environment. As he writes of this CD, "One of my main goals was to create a well-balanced album and not simply a collection of unrelated material. The content of this album, as well as its order, was carefully chosen to form a program with a prelude, interlude and postlude, with two featured works in between. With this in mind, it is my hope that this album can be listened to in its entirety, and that the artistic impact of the album as a whole will be much greater than the sum of the works."

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Track Listing

Title Composer Performer
Opening Philip Glass Nathaniel Bartlett, marimba
Precipice Allan Schindler Nathaniel Bartlett, marimba
Interlude Greg Wilder Nathaniel Bartlett, marimba
Silhouettes Augusta Read Thomas Nathaniel Bartlett, marimba
Vermont Counterpoint Steve Reich Nathaniel Bartlett, marimba

Reviews

  • "...creates a vivid and mysterious soundscape that seamlessly integrates the acoustic and electronic worlds."

    – All Music Guide

  • "The unique combination of clarity and resonance of the marimba is lovingly explored in all of these works, and Bartlett makes the most of each."

    – American Record Guide

*Album cover provided for Editorial use only. ©Albany Records. The Albany Imprint is a registered trademark of PARMA Recordings LLC. The views and opinions expressed in this media are those of the artist and do not necessarily represent or reflect the views and opinions held by PARMA Recordings LLC and its label imprints, subsidiaries, and affiliates.